The intention to satisfy the hunger of the public are reflected in families Kedar Shinde directed Toh Baat Pakki but this problem has been studied several times in the past. The plot of the film also sees the film will be an interesting reading or in its history, but sees the deficiencies found in. And 'something old in Hindi cinema to find a bachelor to marry young and have paid rich dividends to producers and directors, but lags far Toh Baat Pakkibehind.
The film revolves around the life of Rajeshwari (Tabu), who is happy married to a bank and looking for a suitable match for her sister Nisha (Uvika Chaudhary find). To their delight, they found an engineering student, Rahul (Sharman Joshi) and takes him home and puts his marriage. But to the dismay of the public and she finds joy Rajeshwari Yuvraaj (Vatsal Seth), more than bachelors. Rajeshwari is now determined to secure the marriage in this degree is when heManager and is about to get a bungalow and then taking only the money matters to consider.
The setback for this film is not its subject, but under the age of the audience easily and present a film that is neither funny nor melodramatic in its essence. The writing is also not effective and there is a strike, and assumes that the viewer will take seriously all aspects of film that makes s / he has never. It 'hard to associate this script now, especially when we see the usual signsa small town dance to the rhythm of the songs being forced into skimpy clothes around beaches.
The opening half of the film is enjoyable with the presentation of characters and some nice performances by Tabu and Sharman Joshi, it is the second time that the film completely shocked. Rahul motivations, about the impending marriage Yuvraaj Nisha and to break the dowry poisoning are words appear against kidnapping the bride and confusion for the viewer.
With this film we have a kind of diplomaComeback of Taboo (Cheena Kum last seen in), which is one of the most beautiful actresses of Bollywood. And 'natural look called talent, but at the same time we see them in a clunker Toh Baat Pakki. Sometimes it is difficult for a viewer to distinguish between the nature of taboos and Upasana Singh, since both are disgusting and very strong (you may request the script). Something better was the woman who received the National Award twice than expected.
It is not thatHe has acted in bad films, but they only carry the weight of a film to offer nothing new had, and an average music and cinematography. E 'representation in the role of a woman with good intentions for his family and his sister, an interesting personality as a whole commendable. She raises the film with his enigmatic screen presence, and we tend to both like and hate as Rajeshwari. Sharman Joshi has worked hard and tried as Rahul seems so real. Rang De Basanti post appearancesare stable up to the mark.
In short, Toh Baat Pakki for the public is the total joy lies in the power of taboo in an ancient script that was made by directors and producers from 10-15 years forgotten Bollywood. Rest of the services are quite average, obscured by taboo.
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